TWICE Mobile
Login  |  Register          Free Newsletter Subscription
Subscribe to TWICE Magazine
Email
Print
Reprint
Learn RSS

Custom-Install Amplifiers Go Digital, Add Channels

By Joseph Palenchar -- TWICE, 9/29/2003

Sidebars:
Dissimilar Audio Systems Hold Digital Amplification In Common

New York— Custom suppliers are turning increasingly to 12- and 16-channel amplifiers to drive down the cost and complexity of routing music throughout a house.

In more and more cases, the amps incorporate high-efficiency, space-saving digital technology, suppliers said. Multichannel amps eliminate the complexity of wiring up multiple two-channel amps, save space by reducing the number of components that must be placed in cabinets, and drive down consumers' amplifier costs by as much as a third over multiple two-channel models, according to suppliers.

As suppliers pack more channels into their multichannel amps, it makes sense to adopt high-efficiency, cool-running digital amplifier technology to make the products as compact as possible, in some cases shaving height by more than 40 percent over a multichannel analog amp of equivalent output, Sonance marketing director Petro Shimonishi said. Smaller components "are a huge consideration in custom as more components, such as multiple DVD players, go into racks," she explained.

Sonance's new 16x50-watt (into 8 ohms) amp is only 5.25 inches tall, but would have been at least 9 inches if it were analog, Shimonishi noted. "We had to make it digital to deliver all of the power we wanted and fit it in a rack."

Because digital amps are up to 90 percent or more efficient, they can be placed in enclosed custom cabinetry without installing cooling fans, suppliers also noted. "Long-term reliability is improved," added NuVo president David Rodarte, "because there's less heat to degrade components."

Some of the newest digital amps are multichannel models with 12 or more channels, reflecting a growing number of distributed-audio installations with six or more zones (12 or more channels). "Most of our installers do eight-zone systems," said Sonance's Shimonishi, explaining the need for 16-channel amps. Some installers use a 12-channel or 16-channel amp to power both a home theater system and a distributed-audio system, she noted.

SpeakerCraft and Sonance recently launched their first 16-channel amps, joining Crestron in this market. Elan and Phoenix Gold recently introduced their first 12-channel models, and Audio Design Associates (ADA) announced what is probably the industry's first 32-channel amp.

SpeakerCraft is using digital technology in its new 12- and 16-channel models, as is Elan in a new 12-channel model and Sonance in its 16-channel model.

Digital amps are also turning up in a new distributed-audio systems from NetStreams and in Oxmoor's recently upgraded Zon system, both of which use local in-wall amplification that requires a small cool-running chassis (see story, right). In its three-system lineup, NuVo said it's converting to digital amplification.

Here's what installers will find in the coming months:

Audio Design Associates: The 32-channel, 16-zone amp, the PTM-3245, is rated at 45 watts per channel into 8 ohms and 85 watts into 4 ohms, but its 2-ohm-stability allows for connection of up to 128 speakers. Price wasn't available.

Elan: The $1,995-suggested D1200 is rated at 12x100-watts into 4 ohms (all channels driven simultaneously). It drives six stereo pairs of speakers or 12 mono speakers or a combination of mono and stereo speakers. Twelve inputs can be configured for mono, stereo, bussed mono, or bussed stereo. The latter two inputs eliminate the need for extra patch cables and y-cords. It's available.

Phoenix Gold: The $1,199-suggested MX1230 and $1,699 MX1260 are rated at 12x30 and 12x60 watts, respectively, into 8-ohm loads. The amps, both analog, are bridgeable. Summed mono can be assigned to specific zones while other zones run in stereo. The amps also feature signal-sensing and 12-volt-trigger turn-on as well as 12-volt output triggers.

Sonance: The company's first 16-channel amp, the $3,000-suggested Sonamp 1650, is a digital 16x50-watt model (rated conservatively into 8 ohms, all channels driven simultaneously). Custom-oriented features include a 37-pin D-Sub connector with adapter to connect eight stereo RCA plugs, an RJ-45 for RS485 communication, and a 9-pin D-Sub for RS232 communication.

Twelve-channel amplification is incorporated in a multizone/multichannel AM/FM receiver packaged under the Architectural Audio brand with keypads to deliver all components of a distributed-audio system, except for speakers and other audio sources (see TWICE, Sept. 15, p. 23).

SpeakerCraft: The company's first two digital amps, due in the first quarter, are the 12x100-watt DBB1200 at an expected $2,299 and the 16x100-watt DBB 16100 at an expected $2,999. The latter is the company's first 16-channel amp.

Sixteen-channel amplification is a feature of one of the company's first two multizone receivers, both packaged with in-wall keypads (see TWICE, Sept. 15, p. 23).

 

Dissimilar Audio Systems Hold Digital Amplification In Common

By Joseph Palenchar

New York— Their audio engines are similar, but their transmission systems are hardly alike.

Distributed-audio systems developed by NetStreams, NuVo and Oxmoor use digital amplifiers as their power source, but the similarities end there because of widely divergent system architectures used to transmit audio signals around the house.

Here's what the different companies are doing:

NetStreams: The company plans fourth-quarter shipments of DigiLinx, a distributed audio system that uses Ethernet cabling to distribute multiple audio streams without degrading sound quality over long distances. The system uses IP-addressable digital amps (rated at 2x20 watts into 8 and 4 ohms) mounted on or next to in-wall and in-ceiling speakers (see TWICE, Sept. 1, p. 38).

NuVo: The Concerto system is the Cincinnati company's first distributed-audio system with digital amplification. Two existing systems will be upgraded to digital amplification in the coming months. All will use Class D amps. All feature multizone preamp/amp/switcher packaged with all necessary keypads.

The $2,999 Concerto, due Jan. 1., is a six-source, eight-zone system featuring six powered zones (via internal 12x40-watt amp) and two unpowered zones that can be driven from an external NuVo amp. The system can be expanded to 16 zones with an expander unit. Six included keypads connect to the main unit via CAT5.

Beginning Jan. 1, the Essentia system will also be available with Class D amplification, and the Simplese system will go digital in June. Essentia is a $1,999 six-source/six-zone system with 12x20-watt amp and expandability to 12 zones. Simplese is a two-source/four-zone system with 8x15-watt amp and four keypads.

Oxmoor: The Birmingham, Ala., company has upgraded its Zon system, which distributes PCM audio, control signals, and 28-volt power over CAT-5e and CAT-6 wiring to in-wall Zon Power Controllers. The controllers incorporate 2x30-watt (at 8 ohm) Class D digital amplifier to power architectural speakers.

Up to nine sources in a central A/V rack connect to a nearby Oxmoor power supply/router via the router's analog, digital coax and optical Toslink inputs. The four-zone router connects via CAT-5e or CAT-6 to a wall plate called a ZON Input Xpander, which converts analog signals to PCM. Digital-audio and control signals are then sent from the Xpander over CAT-5e or CAT-6 to ZON Power Controllers in each room in a home-run configuration.

In its upgrades, Oxmoor added transport controls to the in-wall controllers. Previously, the controllers controlled only volume and source selection, requiring consumers to use a universal remote to send transport commands via the controller's IR receiver. In another change, the in-wall controllers now control RS-232 and IR-based home systems such as lighting.

The system can also be used now to upgrade existing distributed-audio systems built around in-wall volume controls. Installers can swap out an in-wall volume control with a Zon controller, which will get is control and audio signals via the two pair of speaker cables that previously ran to the volume control.

Email
Print
Reprint
Learn RSS

Talkback

We would love your feedback!

Post a comment

» VIEW ALL TALKBACK THREADS

Related Content

Related Content

 

By This Author

Sponsored Links





 
Advertisement
Sponsored Links

More Content

  • Blogs
  • Podcasts
  • Photos

Blogs


Sorry, no blogs are active for this topic.

» VIEW ALL BLOGS RSS

Photos

  • TWICE on The Scene: ADL Dinner
    The Anti-Defamation League’s (ADL) national consumer technology industry group honored three industry leaders and set a fundraising record for itself during its annual awards tribute and dinner on Saturday, Nov. 15 at the Grand Hyatt Hotel, here.
  • TWICE on the Scene: CES Unveiled
    The Consumer Electronics Association (CEA held its annual CES Unveiled event on Nov. 11 in New York City.
  • TWICE on The Scene: CEA 2008 Hall of Fame
    Industry notables came out in force for the annual Consumer Electronics Hall of Fame dinner Tuesday evening, held during the Consumer Electronics Association’s Fall Forum meeting, here, at the Four Seasons Hotel.
Advertisements





NEWSLETTERS
Click on a title below to learn more.

TWICE Daily E-mail Update
TWICE Retail
©2008 Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Use of this Web site is subject to its Terms of Use | Privacy Policy
Please visit these other Reed Business sites

ADVERTISEMENT
You will be redirected to your destination in few seconds.